Рейтинговые конкурсы WSDC: различия между версиями

Материал из WCS World Wiki
Перейти к:навигация, поиск
Нет описания правки
Нет описания правки
Строка 243: Строка 243:
 
|}
  
|}
 
По мотивам статьи: https://smoothstyle.ca/2016/07/west-coast-swing-7-judging-criteria-7-levels-demystified
  
По мотивам статьи: https://smoothstyle.ca/2016/07/west-coast-swing-7-judging-criteria-7-levels-demystified
  +
  +
==== Douglas Rousar ====
  +
Для партнёров:
  +
{| class="wikitable"
  +
|+
  +
!Division
  +
!Timing
  +
!Footwork
  +
!Framing/Connection
  +
!Depth/Dimension
  +
!Musicality
  +
!Showmanship
  +
|-
  +
|Newcomer
  +
| - Foot strike on time with music.
  +
- Triple steps evenly spaced
  +
| - Feet placed in correct positions based on the step being executed.
  +
- Some awareness of
  +
  +
general foot positioning for dance (not sickled/turned in)
  +
| - Frame Focal Point - Posture
  +
- Frame - Arm Tone Stabslif
  +
|
  +
|
  +
|
  +
|-
  +
|Novice
  +
|''All of the above plus:''
  +
- Lead time and foot strike on time with music
  +
|''All of the above plus:''
  +
- Articulation of the foot through all steps, meaning that steps are struck with one part of the foot (most often the toe or ball of the foot) and allowed to roll down to (or towards) flat with control and consistency.
  +
  +
- Foot action should work with leg action to create lines
  +
  +
and finish movements together.
  +
  +
- Vanattons in foot placement on basics are a bonus, but not necessary
  +
|''All of the above plus:''
  +
- Frame - connection to your own body
  +
  +
- Connection- delay using stay
  +
|
  +
|
  +
|
  +
|-
  +
|Intermediate
  +
|''All of the above plus:''
  +
- Critical timing of patterns.
  +
  +
- Triple rhythm or footwork consistent with pattern selection
  +
|''All of the above plus:''
  +
- Variation of foot placement within standard swing patterning that highlights choices made by the dancer.
  +
  +
- In addition, awareness of the partner's footwork and patterning, to make complementary shapes and lines.
  +
|''All of the above plus:''
  +
- Frame. pliability of Muscular tone
  +
  +
- Connection. tensions of stretch compression
  +
  +
- Connection: Clarity of post and Anchor
  +
| - A few hand changes.
  +
- Slight Variations to Anchors
  +
  +
- Angle Changes, Level Changes and Rotations
  +
|
  +
|
  +
|-
  +
|Advanced
  +
|''All of the above plus:''
  +
- Pattem selection compliments musical phrases without compromising critical timing
  +
|???
  +
|''All of the above plus:''
  +
- Frame: variability of shape and dimension
  +
  +
- Connection: variability of contact points
  +
  +
- Connection mutual musical attention
  +
|''All of the above plus:''
  +
- A few instances of non traditional hand changes.
  +
  +
- Mix of Open and Closed Position.
  +
  +
- More complex Anchors i.e Rock N Go
  +
| - Portray the sound/music through your physical actions
  +
- Show clear intent of why you chose that action
  +
  +
- Choices that don't distract your partner or compromise the partnership
  +
|
  +
|-
  +
|All Stars
  +
|''All of the above plus:''
  +
- Delayed rhythms, syncopations, and acceleration chosen to fit musical structure
  +
|???
  +
|''All of the above plus:''
  +
- Frame: variability of shape and dimension
  +
  +
- Connection: variability of contact points
  +
  +
- Connection mutual musical attention
  +
|''All of the above plus:''
  +
- Non tradittonal hand changes with unique resolutions
  +
  +
- Changing between open and closed positions strategically
  +
  +
- Speed changes - Accelerations and Decelerations in patterns
  +
|''In addition to the above''
  +
- Playing off of what your partner demonstrates as musicality,
  +
  +
- Precision in execution, accenting the entire duration of the musical hit and differentiating between
  +
  +
staccato(sharp) and legato(smooth) movement depending on interpretation of the music.
  +
  +
- Ability to express the music in a way that's it's understood through movement even if the
  +
  +
observer can't hear the music
  +
| - Showmanship is about pulling the audience in to what you're doing because of the creativity, fun, and connection you are creating between the "PARTNERSHIP*
  +
- Showmanship creates opportunities for one or both to shine.
  +
  +
- Showmanship DOESN'T mean that you need to be presenting/looking out at the crowd the whole time.
  +
  +
  +
Scores will be based on the balance of connecting with the audience, drawing the audience into your partnership, and creating memorable moments that don't compromise the integrity of the dance.
  +
|-
  +
|
  +
|
  +
|
  +
|
  +
|
  +
|
  +
|
  +
|}
  +
Для партнёрш:
  +
{| class="wikitable"
  +
|+
  +
!
  +
!Framing/Connection
  +
!Depth/Dimension
  +
!Musicality
  +
!Showmanship
  +
|-
  +
|Newcomer
  +
| - Waits to be led/does not jump the pun
  +
- Little to no unnecessary arm movement
  +
|
  +
|
  +
|
  +
|-
  +
|Novice
  +
|''All of the above plus:''
  +
- Comfortable staying in active tension and compression
  +
  +
- Minimal unnecessary arm movement
  +
  +
- Upright posture
  +
|
  +
|
  +
|
  +
|-
  +
|Intermediate
  +
|''All of the above plus:''
  +
- Understands to leaders' requests to increase connection
  +
  +
- Maintains connection/fills the whole container when leader provides
  +
  +
extra space - does not collapse arms, especially during rotation
  +
| - Slight Variations to Anchors
  +
- Angle Changes, Level Changes and Rotations
  +
|
  +
|
  +
|-
  +
|Advanced
  +
|''All of the above plus:''
  +
- Responds to acceleration and deceleration
  +
  +
- Communicates changes made during styling, such as paneling
  +
  +
- Comfortable in out of the box shapes: maintains connection and
  +
  +
athletic stance
  +
|All of the above plus:
  +
- Styling within pattern structure
  +
  +
- Bending and shaping the slot keeping proper distance and spacing with partner
  +
| - Movement that matters to the music. Dancer will portray what they hear in the music throuph their
  +
/bodies. Recognizing and acting on accents tn the music in the fortu of. a single beal/lyrical acceut or a
  +
  +
serias of heat/lyrical accerils
  +
  +
- Changing baste rhythm to match what they hear in the music through syncopations and/or clongations
  +
  +
- Shifts in movement choices to match the changes of intensity in the music (instruments and/or sound of voice)
  +
  +
- Acknowledgement of phrasing by accenting the "1"
  +
|
  +
|-
  +
|All Stars
  +
|''All of the above plus:''
  +
- Uses slack in art as tool for communication and variation
  +
  +
- Lises connection as a tool for creativity (ex requesting space/time)
  +
  +
- Communicates complex styling (ex body rhythms, isolations, shapes)
  +
|''All of the above plus:''
  +
- Speed Changes - Accelerations and decelerations in patterns
  +
  +
- Patterns seamlessly transform into new ideas
  +
|''In addition to the above''
  +
- Playing off of what your partner demonstrates as musicality. Precision in execution: accentino the entire
  +
  +
duration of the musical hit and differentiating between staccato(sharp) and legato(smooth) movement
  +
  +
depending on interpretation of the music.
  +
| - Balanced with proper technique while.
  +
- Connecting audience to the music
  +
  +
- Through the movements expression
  +
  +
- Variable performance levels 1-2-3
  +
|}
  +
По мотивам презентации: https://www.facebook.com/drousar/videos/350956660583109

Версия от 17:13, 7 августа 2022

WSDC

World Swing Dance Council (WSDC) — это организация, которая централизованно ведёт историю конкурсных успехов танцоров WCS

Когда и где?

Ближайшие ивенты с рейтинговыми конкурсами WSDC неподалёку — в нашем календаре ивентов

Полный список рейтинговых ивентов можно посмотреть на сайте WSDC.

Дивизионы (Divisions)

WSDC централизованно отслеживает успехи танцоров и делит их по мастерству на дивизионы. Для этого в рамках специально отмеченных как WSDC Registry Event ивентов проводятся рейтинговые Jack and Jill конкурсы, отдельно для каждого дивизиона:

  • Newcomer
  • Novice
  • Intermediate
  • Advanced
  • All-Star
  • Champions

Чтобы поучаствовать в конкурсе соответствующего уровня, надо либо удовлетворять WSDC требованиям, либо получить согласие от главного судьи через петицию.

Поинты (Points)

Если выйдешь в финал — есть шанс получить поинты, набираешь необходимое кол-во поинтов — переходишь в следующий дивизион.

Правила перехода между дивизионами

Уровень Можно перейти в следующий дивизион Необходимо перейти в следующий дивизион Как остаться в этом дивизионе Как снова вернуться?
Newcomer Можно начать с Novice, но лучше свериться с правилами ивента. Зависит от правил ивента, обычно если есть любые поинты Пожизненно
Novice 16 Novice поинтов 30 Novice поинтов
Intermediate 30 Intermediate поинтов 45 Intermediate поинтов
Advanced 45 Advanced поинтов за 36 месяцев 60 Advanced поинтов за 36 месяцев, или 3 All Star поинта
All Star 150 All Star поинтов Нет ограничения 3 All Star поинта за последние 36 месяцев Набрать 10 Advanced поинтов за последние 12 месяцев
Champions Следующего уровня нет :) Пожизненно

Тиры (Tiers)

Тир (транскрипция с англ. Tier) конкурса для конкретной роли (партнёр/партнёрша) определяет, сколько поинтов ты получишь, если займёшь определённое место в финале. Важно, что тир считается для партнёров и партнёрш отдельно, и возможен вариант, когда у партнёров один тир, а у партнёрш в том же конкурсе — другой, просто потому, что партнёрш было больше.

Тир Кол-во участников

определённой роли

Поинтов за 1 место 2 место 3 место 4 место 5 место финал
1 5-10 3 2 1 0 0 0
2 11-19 6 4 3 2 1 0
3 20-39 10 8 6 4 2 1 (до 12 места)
4 40-79 15 12 10 8 6 1 (до 15 места)
5 80-129 20 16 14 12 10 2 (до 15 места)
6 130+ 25 22 18 15 12 2 (до 15 места)

Пример: сколько поинтов получит партнёр, занявший первое место в Novice J&J на последнем Westie Fest 2020?

Открываем регистрации, видим 23 партнёра, это Тир 3, поэтому ответ: 10 поинтов.

Этапы отборов (Rounds)

WSDC в том числе регламентирует, сколько промежуточных этапов должно быть для конкурса, в зависимости от максимального тира для партнёров и партнёрш.

Тир Бо́льшее кол-во участников,

партнёров или партнёрш

Правила отборов
1 5-10 Только финалы. Возможны отборы, если разное количество партнёров/партнёрш
2 11-19 1+ этап: финал или отборы+финал
3 20-39 2 этапа: отборы и финал
4 40-79 3 этапа: отборы, полуфинал и финал
5 80-129 3+ этапов: отборы, полуфинал и финал
6 130+ 4 этапа: отборы, четвертьфиналы, полуфиналы и финал

Пример: возьмём тот же Novice J&J на Westie Fest 2020. Как должен был проведён этот конкурс? Открываем регистрации, видим 23 партнёра и 42 партнёрши, этапы определяются по бо́льшему кол-ву участников, т.е. по партнёршам, итого 4 тир, обязательно 3 этапа: отборы, полуфиналы и финал.

Подробнее

Более подробную информацию можно найти в первоисточнике на сайте WSDC: https://worldsdc.com, в частности, в последней версии документа WSDC Points Registry Rules.

Критерии WSDC судейства

На текущий момент нет абсолютной шкалы для оценки, да и сама система конкурса выбирает лучших среди имеющихся участников.

Конкретные критерии судейства главный судья обговаривает со всеми судьями перед конкурсом.

Ряд судей поделились своим мнением, дальше их и изложим :)

Gary Jobst

Большой опыт в качестве главного судьи, соучастник в организации судейской сертификации: https://globalpdia.com/

Выделил 7 критериев, первые три иногда называют 3T (Timing, Technique, Teamwork), каждый следующий дивизион включает в себя все предыдущие критерии:

WSDC дивизион Критерий Перевод
Newcomer/Novice Timing Тайминг
Technique Техника
Teamwork Взаимодействие в паре
Intermediate Variety Разнообразие
Advanced Contrast Контраст
All-Star/Champions Showmanship Артистизм
Musicality Музыкальность

По мотивам поста в телеграме WCS.Life: https://t.me/wcslife/1960

Maria Ford

Полагается на те же критерии, что и Gary Jobst, только чуть по-другому их делит по дивизионам, вольная интерпретация ниже, чем больше плюсов — тем выше уровень ожиданий:

WSDC дивизион Тайминг Техника Взаимодействие Разнообразие Контраст Музыкальность Артистизм
Newcomer/Novice + -
Intermediate ++ + -
Advanced +++ ++ +
All-Star +++ ++

По мотивам статьи: https://smoothstyle.ca/2016/07/west-coast-swing-7-judging-criteria-7-levels-demystified

Douglas Rousar

Для партнёров:

Division Timing Footwork Framing/Connection Depth/Dimension Musicality Showmanship
Newcomer - Foot strike on time with music.

- Triple steps evenly spaced

- Feet placed in correct positions based on the step being executed.

- Some awareness of

general foot positioning for dance (not sickled/turned in)

- Frame Focal Point - Posture

- Frame - Arm Tone Stabslif

Novice All of the above plus:

- Lead time and foot strike on time with music

All of the above plus:

- Articulation of the foot through all steps, meaning that steps are struck with one part of the foot (most often the toe or ball of the foot) and allowed to roll down to (or towards) flat with control and consistency.

- Foot action should work with leg action to create lines

and finish movements together.

- Vanattons in foot placement on basics are a bonus, but not necessary

All of the above plus:

- Frame - connection to your own body

- Connection- delay using stay

Intermediate All of the above plus:

- Critical timing of patterns.

- Triple rhythm or footwork consistent with pattern selection

All of the above plus:

- Variation of foot placement within standard swing patterning that highlights choices made by the dancer.

- In addition, awareness of the partner's footwork and patterning, to make complementary shapes and lines.

All of the above plus:

- Frame. pliability of Muscular tone

- Connection. tensions of stretch compression

- Connection: Clarity of post and Anchor

- A few hand changes.

- Slight Variations to Anchors

- Angle Changes, Level Changes and Rotations

Advanced All of the above plus:

- Pattem selection compliments musical phrases without compromising critical timing

??? All of the above plus:

- Frame: variability of shape and dimension

- Connection: variability of contact points

- Connection mutual musical attention

All of the above plus:

- A few instances of non traditional hand changes.

- Mix of Open and Closed Position.

- More complex Anchors i.e Rock N Go

- Portray the sound/music through your physical actions

- Show clear intent of why you chose that action

- Choices that don't distract your partner or compromise the partnership

All Stars All of the above plus:

- Delayed rhythms, syncopations, and acceleration chosen to fit musical structure

??? All of the above plus:

- Frame: variability of shape and dimension

- Connection: variability of contact points

- Connection mutual musical attention

All of the above plus:

- Non tradittonal hand changes with unique resolutions

- Changing between open and closed positions strategically

- Speed changes - Accelerations and Decelerations in patterns

In addition to the above

- Playing off of what your partner demonstrates as musicality,

- Precision in execution, accenting the entire duration of the musical hit and differentiating between

staccato(sharp) and legato(smooth) movement depending on interpretation of the music.

- Ability to express the music in a way that's it's understood through movement even if the

observer can't hear the music

- Showmanship is about pulling the audience in to what you're doing because of the creativity, fun, and connection you are creating between the "PARTNERSHIP*

- Showmanship creates opportunities for one or both to shine.

- Showmanship DOESN'T mean that you need to be presenting/looking out at the crowd the whole time.


Scores will be based on the balance of connecting with the audience, drawing the audience into your partnership, and creating memorable moments that don't compromise the integrity of the dance.

Для партнёрш:

Framing/Connection Depth/Dimension Musicality Showmanship
Newcomer - Waits to be led/does not jump the pun

- Little to no unnecessary arm movement

Novice All of the above plus:

- Comfortable staying in active tension and compression

- Minimal unnecessary arm movement

- Upright posture

Intermediate All of the above plus:

- Understands to leaders' requests to increase connection

- Maintains connection/fills the whole container when leader provides

extra space - does not collapse arms, especially during rotation

- Slight Variations to Anchors

- Angle Changes, Level Changes and Rotations

Advanced All of the above plus:

- Responds to acceleration and deceleration

- Communicates changes made during styling, such as paneling

- Comfortable in out of the box shapes: maintains connection and

athletic stance

All of the above plus:

- Styling within pattern structure

- Bending and shaping the slot keeping proper distance and spacing with partner

- Movement that matters to the music. Dancer will portray what they hear in the music throuph their

/bodies. Recognizing and acting on accents tn the music in the fortu of. a single beal/lyrical acceut or a

serias of heat/lyrical accerils

- Changing baste rhythm to match what they hear in the music through syncopations and/or clongations

- Shifts in movement choices to match the changes of intensity in the music (instruments and/or sound of voice)

- Acknowledgement of phrasing by accenting the "1"

All Stars All of the above plus:

- Uses slack in art as tool for communication and variation

- Lises connection as a tool for creativity (ex requesting space/time)

- Communicates complex styling (ex body rhythms, isolations, shapes)

All of the above plus:

- Speed Changes - Accelerations and decelerations in patterns

- Patterns seamlessly transform into new ideas

In addition to the above

- Playing off of what your partner demonstrates as musicality. Precision in execution: accentino the entire

duration of the musical hit and differentiating between staccato(sharp) and legato(smooth) movement

depending on interpretation of the music.

- Balanced with proper technique while.

- Connecting audience to the music

- Through the movements expression

- Variable performance levels 1-2-3

По мотивам презентации: https://www.facebook.com/drousar/videos/350956660583109

Источник — http:///index.php?title=Рейтинговые_конкурсы_WSDC&oldid=1471
Powered by MediaWiki