Редактирование: Рейтинговые конкурсы WSDC

Полный список рейтинговых ивентов можно посмотреть [https://www.worldsdc.com/event-list/ на сайте WSDC].

!финал 6-10

!финал 11-15

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'''Пример''': сколько поинтов получит партнёр, занявший первое место в Novice J&J на Westie Fest 2020?

WSDC регламентирует, сколько промежуточных этапов должно быть для конкурса, в зависимости от максимального тира для партнёров и партнёрш.

Подробнее про правила проведения конкурсов на сайте WSDC: https://worldsdc.com, в документе [https://www.worldsdc.com/wsdc-points-registry-rules/ WSDC Points Registry Rules].

Нет абсолютной шкалы для оценки, система конкурса выбирает лучших среди имеющихся участников.

Конкретные критерии судейства главный судья проговаривает с судьями перед конкурсом.

Ряд судей поделились своим мнением, дальше подробнее о каждом.

Почему его мнение интересно? Большой опыт в качестве главного судьи, соучастник в организации судейской сертификации: https://globalpdia.com/

==== Douglas Rousar & Midwest Westie Fest '21 ====

Почему его мнение интересно? Большой опыт как в роли судьи, так и главного судьи, Дуглас собрал вместе с судьями Midwest Westie Fest 2021 критерии для более точной оценки отборов.

По мотивам презентации: https://www.facebook.com/drousar/videos/350956660583109

Пара замечаний от редактора:

* По Footwork есть пробелы, к сожалению, эти куски в презентации не показали, потому что презентация была на самом деле не про конкретные критерии, но про систему раздельной оценки критериев специально выделенными для этого судьями.

* Пока на английском, т.к. переводить и лень, и не всегда понятен весь смысл, который вкладывается в ряд понятий, поэтому чтобы избежать эффекта "испорченного телефона" — оставлю на английском.

* Возможны опечатки, т.к. в источнике скринкаст с довольно плохим качеством, пришлось перепечатывать.

{| class="wikitable mw-collapsible mw-collapsed"

|+Для партнёров

!Criterion

!Newcomer

!Novice

!Intermediate

!Advanced

!All Stars

!Timing

| - Foot strike on time with music.

|''All on the left plus:''

- Lead time and foot strike on time with music

|''All on the left plus:''

- Critical timing of patterns.

- Triple rhythm or footwork consistent with pattern selection

|''All on the left plus:''

- Pattem selection compliments musical phrases without compromising critical timing

|''All on the left plus:''

- Delayed rhythms, syncopations, and acceleration chosen to fit musical structure

|-

!Footwork

| - Feet placed in correct positions based on the step being executed.

|''All on the left plus:''

|''All on the left plus:''

- Variation of foot placement within standard swing patterning that highlights choices made by the dancer.

- In addition, awareness of the partner's footwork and patterning, to make complementary shapes and lines.

|???

|???

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!Framing/Connection

| - Frame Focal Point - Posture

- Frame - Arm Tone Stability

|''All on the left plus:''

|''All on the left plus:''

|''All on the left plus:''

- Frame: variability of shape and dimension

- Connection: variability of contact points

- Connection mutual musical attention

|''All on the left plus:''

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!Depth/Dimension

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| - A few hand changes.

- Slight Variations to Anchors

- Angle Changes, Level Changes and Rotations

|''All on the left plus:''

|''All on the left plus:''

- Non traditional hand changes with unique resolutions

- Changing between open and closed positions strategically

- Speed changes - Accelerations and Decelerations in patterns

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!Musicality

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|''In addition to all on the left''

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!Showmanship

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| - Showmanship is about pulling the audience in to what you're doing because of the creativity, fun, and connection you are creating between the "PARTNERSHIP"

- Showmanship DOESN'T mean that you need to be presenting/looking out at the crowd the whole time.- Scores will be based on the balance of connecting with the audience, drawing the audience into your partnership, and creating memorable moments that don't compromise the integrity of the dance.

|}

Пара пояснений за термины от Дугласа и Ко:

# FOOT ALIGNMENT: Steps, Turns & Anchors with lead foot aligned in the direction of dance, Proper foot Turnout, originating from open body/ hip Angles. Use of foot flexion when appropriate.

# GROUNDED FOOT ACTION: Connection into the floor, through downward (rolling) placement, visible in Leg Lines & Hip Movement. Followers use of the back of toe base as the primary articulation area. Smooth transitions on direction changes, using continuous controlled foot movement to control speed and create stretch

# BALANCED WEIGHT TRANSFERS. Power/action of the Sending foot from the 3-toe base generally resulting in a straight leg upon weight transfer. Receiving foot precedes weight transfer, & stays within the natural stride length during traveling movement. Use of weight transfer to create momentum & speed control, while centering body weight over each landing foot. Tight tracking of feet when passing each other.

{| class="wikitable mw-collapsible mw-collapsed"

|+Для партнёрш:

!Criterion

!Newcomer

!Novice

!Intermediate

!Advanced

!All Stars

|-

| - Understands down beat vs up beat and maintains metronomic consistency within basic patterns

|''All on the left plus:''

- Understanding and utilization of WCS basic triple rythms: slow-quick-slow and half-half-whole

|''All on the left plus:''

- Understanding of delayed weight transfers: tempo appropriate separation between foot strike timing and completion of weight transfer

|''All on the left plus:''

- Understand delayed double vs hitch utility and comfortably execute choice across different tempos

|''All on the left plus:''

- Complete control and intentionality of weight transfers and understanding of double and triple rhythms within body across entire spectrum of tempos

|-

| - General control of Fool Alignment & position within basic patterns. Awareness of grounding &

downward roll of foot.

- Good balance from effective weight transfers

|Proficient in foot alignment (no sickling) especially in spins and turns. Competence In Grounding....

|???

|-

!Framing/Connection

| - Waits to be led/does not jump the gun

|''All on the left plus:''

|''All on the left plus:''

- Maintains connection/fills the whole container when leader provides extra space

- does not collapse arms, especially during rotation

|''All on the left plus:''

- Comfortable in out of the box shapes: maintains connection and athletic stance

|''All on the left plus:''

- Uses slack in art as tool for communication and variation

- Lises connection as a tool for creativity (ex requesting space/time)

- Communicates complex styling (ex body rhythms, isolations, shapes)

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!Depth/Dimension

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|

| - Slight Variations to Anchors

- Angle Changes, Level Changes and Rotations

|All on the left plus:

|''All on the left plus:''

- Speed Changes - Accelerations and decelerations in patterns

- Patterns seamlessly transform into new ideas

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!Musicality

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| - Movement that matters to the music. Dancer will portray what they hear in the music through their

/bodies. Recognizing and acting on accents to the music in the form of: a single beat/lyrical accent or a series of heat/lyrical accents

- Changing basic rhythm to match what they hear in the music through syncopations and/or clongations

|''All on the left plus:''

- Playing off of what your partner demonstrates as musicality. Precision in execution: accenting the entire duration of the musical hit and differentiating between staccato(sharp) and legato(smooth) movement depending on interpretation of the music.

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!Showmanship

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